تو برایم مقدسی

Tu Barayem Moqadasi

You Are Sacred to Me

Ahmad ZahirThe MastersStudio · Dari

Lyrics

Lyrics updated · July 2026

English Translation

You are sacred to me, you are sacred to me You are the dearest being to me

Like water on flowers, like sleep for the weary Like a gentle smile on a word without reply You are sacred to me

Like rain on the meadow, like the scent of jasmine Like white flowers on plain and grassland

Like the southern mountains, the beautiful color of sunset Like spring moonlight — O you beautiful from head to toe

Transliteration

Tu barayem moqadasi, Tu barayem moqadasi Tu aziz-tarin kasee, Tu aziz-tarin kasee

Bare gulha mesle aab, bare khasta mesle khwab Mesle labkhande malih, bare harfe bejwab Tu barayem moqadasi Tu aziz-tarin kasee

Mesle baran ba chaman, mesle boye yasaman Mesle gulhaye safed, bar sahra o daman

Mesle kohaye jonoob, range maqboole ghroob Mesle mahtabe bahar, ay sarapaa hama khoob

متن اصلی

تو برايم مقدسی، تو برايم مقدسی تو عزيزترين کسی، تو عزيزترين کسی

بر گلها مثل آب، بر خسته مثل خواب مثل لبخند ملیح، بر حرف بی جواب تو برايم مقدسی تو عزيزترين کسی

مثل باران به چمن، مثل بوی ياسمن مثل گلهای سفيد، بر صحرا و دمن

مثل کوه های جنوب، رنگ مقبول غروب مثل مهتاب بهار، ای سراپا همه خوب

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You are sacred to me — the dearest being; like water on flowers, sleep for the weary, a gentle smile on a word without reply; like rain on the meadow, jasmine's scent, southern mountains, spring moonlight.

About This Recording

Tu Barayem Moqadasi — You Are Sacred to Me — is a poem that defines the beloved through the accumulation of natural analogies rather than physical description or emotional cataloging. Moqadas (sacred, holy) is the word that opens and anchors the poem, but the song's method is not to assert the beloved's holiness abstractly. Instead, each stanza offers a sequence of images that define what it means to be the most necessary thing: 'Like water on flowers, like sleep for the weary / Like a gentle smile on a word without reply.'

Each analogical pair — water/flowers, sleep/weary, smile/unanswered word — describes a condition of need and the thing that meets it. The 'gentle smile on a word without reply' is the most human and emotionally precise of these images: a word spoken into silence, without response, and then met with a gentle smile. This is the relief of acknowledgment after being ignored — not a full answer, but compassion for the unanswered condition. That the beloved is this smile, for the speaker, says something exact about the speaker's loneliness.

The closing stanzas move from the intimate scale (flowers, sleep, smiles) to the geographical (the southern mountains, sunset, spring moonlight) — a dilation that is also an elevation. The southern mountains (koh-e janoob) in Afghan geography are the ranges visible from Kabul looking south, a specific and recognizable sight. 'Like the beautiful color of sunset, like spring moonlight' ends the comparisons in the register of aesthetic beauty rather than functional necessity. The poem moves from need to wonder — the beloved is first what is needed and ends as what is beautiful.

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