صد را در انتظارت

Sad Ra Dar Entezarat

A Hundred Times in Waiting

Ahmad ZahirThe MastersStudio · Dari

The hyperbolism of the ghazal — not once but a hundred times the speaker has waited. Counting as a form of devotion, waiting transformed from passive endurance into active proof of love.

About This Recording

A Hundred Times in Waiting belongs to the ghazal's tradition of exaggerated counting — the beloved's cruelty endured not once but a hundred times, each instance a credential of devotion rather than a reason for departure. In the Persian lyric tradition, the ability to endure is itself a proof of love's authenticity: only genuine love persists through a hundred disappointments.

The recording's warmth softens what could be a record of suffering. Zahir's delivery makes the hundred instances of waiting feel less like punishment and more like the texture of a life organized around one central fact — the beloved's existence, around which everything else is arranged.

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