راو سر بیني به بالین
Raw Sar Bene Ba Balin
“Go Put Your Head on the Pillow”
Lyrics
Lyrics updated · July 2026English Translation
Go, lay your head upon the pillow — leave me alone Leave me, this ruined, night-wandering, afflicted one
Here I am with the waves of longing, alone from night till dawn Whether you come and forgive, or go and be cruel
On the king of the beautiful, faithfulness is not required O yellow-faced lover — you be patient, be faithful
Transliteration
Raw sar bene ba balin, tanha mara reha kon Tarke man kharabe shabgarde mobtala kon
Mayeem o mawje sawda, shab ta ba rozo tanha Khwahi beya bebakhsha, khwahi beraw jafa kon
Bar shahe khobroyan wajeb wafa nabashad Ay zard roye ashiq, tu sabr kon, wafa kon
متن اصلی
رو سر بنه ببالين، تنها مرا رها کن ترک من خراب شبگرد مبتلا کن
ماييم و موج سودا، شب تا بروز تنها خواهی بيا ببخشا، خواهی برو جفا کن
بر شاه خوبرويان واجب وفا نباشد ای زرد روی عاشق، تو صبر کن، وفا کن
Go, lay your head on the pillow — leave me alone, this ruined night-wanderer; I am here with the waves of longing, alone from night till dawn; whether you come and forgive or go and be cruel — on the king of the beautiful, faithfulness is not required.
About This Recording
Raw Sar Bene Ba Balin — Go, Lay Your Head Upon the Pillow — is one of the more bitter poems in Zahir's catalog: the dismissal of the beloved with a resignation that has curdled past grief into detachment. 'Leave me, this ruined, night-wandering, afflicted one' — the speaker characterizes themselves in three terms, each darker than the last. The invitation to leave is not reconciled acceptance but exhausted release.
'Here I am with the waves of longing, alone from night till dawn / Whether you come and forgive, or go and be cruel' — the conditional is the poem's moral center. The speaker has reached a point where the beloved's choice — to come and forgive or to go and be cruel — no longer produces different outcomes for the speaker's condition. Both possibilities are registered with the same tone: 'whether.' The longing exists independent of what the beloved decides.
'On the king of the beautiful, faithfulness is not required / O yellow-faced lover — you be patient, be faithful' — the final address shifts from the beloved to the lover (the speaker addressing themselves). The beloved who is 'king of the beautiful' operates under no obligation of faithfulness; it is the lover who must be patient and faithful. The yellow-faced lover (rokh-e zard eshegha) is the classic image of the lovelorn — pallor from grief — here addressed with a gentleness that was not available for the beloved. The advice is for the speaker themselves: be patient, it is what is required of people like us.
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