موج دریا ابر سیاه
Mawje Darya Abre Seya
“Wave of the Sea, Dark Cloud”
Lyrics
Lyrics updated · July 2026English Translation
Wave of the sea, black cloud Heart of the world — O love
A night created from my beloved's eyes When playfulness ran across the face of the world
A night shoulder to shoulder with Layla's tresses A night embracing Majnun's fortune Heart of the world — O love
Transliteration
Mawje darya, abre seya Qalbe dunya, ay muhabat
Shabe az chashme yaram afarida Ke shokhe bar rokhe alam daweda
Shabe ba zolfe laila dosh bar dosh Shabe ba taleh majnoon hamaghosh Qalbe dunya, ay muhabat
متن اصلی
موج دریا، ابر سیاه قلب دنیا، ای محبت
شبی از چشم یارم آفریده که شوخی بر رخ عالم دویده
شبی با زلف لیلا دوش بر دوش شبی با طالع مجنون هماغوش قلب دنیا، ای محبت
Wave of the sea, black cloud — heart of the world, O love; a night created from my beloved's eyes; a night shoulder to shoulder with Layla's tresses, embracing Majnun's fortune.
About This Recording
Mawje Darya Abre Seya — Wave of the Sea, Black Cloud — is a compressed lyric of pure atmospheric imagery: wave, black cloud, night, tresses, fortune. The beloved is described not through physical features but through the weather and darkness she generates. A night 'created from my beloved's eyes' is a night whose character comes from her gaze — dark, deep, oceanic.
The Layla and Majnun invocation in the final stanzas is brief but precise: 'shoulder to shoulder with Layla's tresses' suggests an intimacy with Layla's very hair — the tresses that in the Layla-Majnun tradition were what Majnun longed to touch and never could. And 'embracing Majnun's fortune' means taking on not Majnun's love but his fate — the destiny of total devotion and social exclusion that defines the archetype.
The refrain 'heart of the world — O love' places love at the center of the world's anatomy: not its surface or its edges but its heart. The wave and the black cloud are what love produces at the world's surface; the poem traces them back to their source. Ahmad Zahir's arrangement gives this song's brevity — only three stanzas — the quality of a poem that has said exactly what it needed to and stopped.
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