خدا بود همراهت

Khuda Bowad Hamrahet

May God Be with You

Ahmad ZahirFolk PreservationsStudio · Dari

Lyrics

Lyrics updated · July 2026

English Translation

May God be your companion May the Quran be your support The pilgrimage to Sakhi Jan May it take grief from your sight

Come O beloved — tonight I am sick from grief I count the stars in the sky tonight O moon — I have died from grief, no matter Tonight I entrust you to God

May the height of your cypress form never bow May your glad heart never see sorrow The cruelties I endured from your hands May no human ever see them, O God

Transliteration

Khuda bowad hamrahet Quran pesht o panahet Zeyarate sakhi jan Konad ze gham negahet

Beya yar jan ze gham beemaram imshab Setara dar hawa meshmaram imshab Ma ke mordam ze gham parwa nadara Tura man ba khuda mesparam imshab

Qad sarwat elahi kham nabina Dil shadat elahi gham nabina Setamhaye ke az dastat kashidam Elahi dar jahan adam nabina

Khuda bowad hamrahet Quran pesht o panahet Zeyarate sakhi jan Konad ze gham negahet

متن اصلی

خدا بود ھمراھت قرآن پشت و پناھت زیارت سخی جان کند ز غم نگاھت

بیا یار جان ز غم بیمارم امشب ستاره در ھوا میشمارم امشب مه که مرُدم ز غم پروا نداره ترا من به خدا میسپارم امشب

قد سروت الھی خم نبینه دل شادت الھی غم نبینه ستمھایی که از دستت کشیدم الھی در جھان آدم نبینه

خدا بود ھمراھت قرآن پشت و پناھت زیارت سخی جان کند ز غم نگاھت

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May God be your companion, the Quran your support — a farewell prayer for the beloved's pilgrimage; tonight I am sick from grief, counting stars; I entrust you to God; may your glad heart never see sorrow.

About This Recording

Khuda Bowad Hamrahet — May God Be Your Companion — is a song of farewell structured as a dua (prayer): the speaker wishes the beloved safe passage on a journey, invoking divine protection and the Quran as the companion and support for whatever she faces. The pilgrimage to Sakhi Jan — a shrine in Kabul — grounds the farewell in Afghan devotional practice: the beloved is going on a ziyarat, a visit to a saint's shrine.

The speaker's own condition in the beloved's absence is stated with characteristic simplicity: 'Tonight I am sick from grief / I count the stars in the sky tonight.' Star-counting in Persian lyric is the insomniac's occupation — when sleep does not come, the eyes move to the sky. 'O moon — I have died from grief, no matter / Tonight I entrust you to God' — the address to the moon and the entrusting of the beloved to God collapses the personal and the divine into the same gesture of release.

'May the height of your cypress form never bow / May your glad heart never see sorrow / The cruelties I endured from your hands / May no human ever see them, O God' — the final stanza is a blessing containing a concealed complaint. The speaker prays for the beloved's happiness while noting the cruelties suffered from her. The prayer is genuine; the complaint is equally genuine. Both exist in the same breath, which is characteristic of how farewell songs work: the love persists alongside the grievance, and both are released in the same act of letting go.

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