خبر داری که دین
Khabar Dari Ke Dein
“Do You Know That Today”
Lyrics
Lyrics updated · July 2026English Translation
Do you know that you are my longing, my love, and my devotion, O my soul? Do you know that you are my pain, my anguish, and my cure, O my soul?
Accept my love — may I be a sacrifice for your kindness, O my soul! For you are the purpose of my aching and scattered heart, O my soul!
Your dear smile has taken my heart from my grasp, O my soul! You are the companion of my tears on the evenings of separation, O my soul!
Transliteration
Khabar dari ke dein o ishq o imanam toye jana? ay jana Khabar dari ke dard o ranj o darmanam toye jana? ay jana
Qaboole ishqe man kon ay sarat gardam ba eltafat, ay jana Ke manzoore dil zar o perayshanam toye jana, ay jana
Dilam ra borda az kaf khandahaye nazanine tu, ay jana Anise geryahaye sham hejranam toye jana, ay jana
متن اصلی
خبر داری که دين و عشق و ايمانم تويی جانا؟ اي جانا! خبر داری که درد و رنج و درمانم تويی جانا؟ ای جانا!
قبول عشق من کن ای سرت گردم به الطافت، ای جانا! که منظور دل زار و پريشانم تويی جانا، ای جانا!
دلم را برده از کف خنده های نازنين تو، ای جانا! انيس گريه های شام هجرانم تويی جانا، ای جانا!
Do you know that you are my longing, my love, and my devotion? Do you know that you are my pain, my anguish, and my cure? The beloved asked directly whether she knows what she is — the poem's central question, unanswered.
About This Recording
'Do you know that you are my longing, my love, and my devotion, O my soul?' — khabar dari ke (do you know that) is a rhetorical question, but not entirely: it implies the beloved might genuinely not know. The trilogy of longing (arzu), love (mehr), and devotion (wafa) positions the beloved as the center of everything the speaker orients toward — not merely wanted but the organizing direction of a life.
'Do you know that you are my pain, my anguish, and my cure, O my soul?' — the pairing of dard (pain), gham (anguish), and darman (cure) in a single address is the Sufi paradox of love: the beloved is simultaneously the wound and the medicine. Neither can exist without the other; to remove the beloved would be to remove both the suffering and the only thing that could address it.
'Your dear smile has taken my heart from my grasp / You are the companion of my tears on the evenings of separation' — the smile takes the heart involuntarily; the beloved becomes the companion even in the tears that follow her absence. The evenings of separation (shab-haye judaye) are a recurring temporal marker in this catalog — the specific daily moment when absence is most acute.
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