چه بیهوده چه ساده
Che Behoda Che Sada
“How Pointless, How Simple”
Lyrics
Lyrics updated · July 2026English Translation
What futility, what simplicity — I, a weary lover Ran for a lifetime in the hope and love of you But I heard no answer from you — heard none, heard none
What more did you want beyond my pure love from this heart? Why did you not tell the truth if you did not want me? I no longer love you — go quickly from my side Go quickly from my side
You were a mirage whose deception I fell for Alas for this heart that I surrendered to your hand I no longer love you Go quickly from my side — go quickly from my side
Transliteration
Chi behoda chi sada, man ashiqe khasta Yak omre ba haway to o ishqe tu dawidam Wale az tu jawabe nashanidam, nashanidam
Ba joz ishqe pakam az ein dil chi mekhwasti Chera rast nagofti, agar mara namekhwasti Digar dostat nadaram, beraw zood az kenaram Beraw zood az kenaram
Tu bodi sarabe ke ferebe tura khordam Deregha az ein dil ke badast tu sepordam Digar dostat nadaram, Beraw zood az kenaram, Beraw zood az kenaram
متن اصلی
چه بيهوده چه ساده ، من عاشق خسته يک عمری به هوای تو و عشق تو دويدم ولی از تو جوابی نشنيدم ، نشنيدم
بجز عشق پاکم از اين دل چه ميخواستی چرا راست نگفتی ، اگر مرا نمی خواستی ديگر دوستت ندارم ، برو زود از کنارم برو زود از کنارم
تو بودی سرابی که فريب تو را خوردم دريغا از اين دل که بدست تو سپردم ديگر دوستت ندارم برو زود از کنارم ، برو زود از کنارم
What futility — I ran a lifetime in hope and love of you but heard no answer. You were a mirage. I no longer love you — go quickly from my side.
About This Recording
Che Behoda Che Sada — What Futility, What Simplicity — is a song of termination, one of the relatively rare instances in Zahir's catalog where the speaker declares the love definitively over. 'I no longer love you' (dige dust dashtanat nistam) is blunt in a tradition that usually maintains the pose of devotion regardless of treatment. The two repetitions of 'go quickly from my side' are a command, not a plea.
The accusation of simplicity (sada) is double-edged: the speaker calls their own love simple, which could mean sincere but also means naive. A lifetime of hope and running after someone who gave no answer was, in retrospect, simple-minded. 'Why did you not tell the truth if you did not want me?' — the demand for honesty, delivered after the fact, suggests the speaker could have accepted rejection earlier but was not given it.
The mirage image — 'you were a mirage whose deception I fell for' — is particularly resonant in Persian poetry, where the sarab (mirage) is a common figure for false hope in a desert landscape. The traveler runs toward water that recedes; the lover runs toward someone who isn't there. The grief — 'alas for this heart that I surrendered to your hand' — is for the heart's own poor judgment, not for the loss of the beloved who was never real.
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