بگذرد بگذرد عمر من
Begzarad Begzarad Omre Man
“Let It Pass Let It Pass My Life”
Lyrics
Lyrics updated · July 2026English Translation
Let it pass, let it pass — let my life pass Life is sweeter so — let my life pass
I am poor — poor in my own homeland Other than having nothing — let my life pass
Months pass, years pass Free from servitude — let my life pass
The sky over my head rains love upon me Under this rain — let my life pass
The tavern is my home, the monastery my temple Without bowing my head in shame — let my life pass
Transliteration
Begzarad, begzarad, omre man begzarad Khostar ast zendagi, omre man begzarad
Man faqiram, faqire deyare khodam Ghaire darendagi, omre man begzarad
Mah ha begzarad, salha begzarad Faregh az bandagi, omre man begzarad
Aseman bar saram, rezad baran-e ishq Zer barendagi, omre man begzarad
Maikdada maskanam khanqah mahbadam Besar afgandagi omre man begzarad
Nakase gar ze kase bala neshinad ayb nest Roye darya khas neshinad zere darya gawhar ast
متن اصلی
بگذرد ، بگذرد ، عمر من بگذرد خوشتر است زندگی ، عمر من بگذرد
من فقيرم ، فقير دیار خودم غير دارندگی ، عمر من بگذرد
ماه ها بگذرد ، سال ها بگذرد فارغ از بندگی، عمر من بگذرد
آسمان برسرم، ريزد باران عشق زير بارندگی ، عمر من بگذرد
میکده مسکنم خانقاه معبدم بی سرافکندگی عمر من بگذرد
ناکسی گر ز کسی بالا نشیند عیب نیست روی دریا خس نشیند زیری دریا گوهر است
Let it pass — let my life pass; poor in my own homeland, free from servitude, the sky raining love above me; the tavern my home, the monastery my temple, without bowing my head in shame.
About This Recording
Begzarad Begzarad Omre Man — Let It Pass, Let My Life Pass — is a song of radical acceptance that refuses to read as defeat. The refrain 'begzarad omre-man' (let my life pass) is repeated after each condition, and the conditions accumulate: poverty in one's homeland, months and years slipping by, freedom from servitude. Each 'let it pass' is an affirmation, not a surrender.
'I am poor — poor in my own homeland / Other than having nothing — let my life pass' — poverty in one's own homeland carries a specific weight: not a foreigner's poverty but an insider's dispossession. The speaker is not displaced but deprived, in the place that is supposed to be theirs, owning nothing. And yet: let it pass. The condition is named without complaint, only acceptance.
The tavern (maikhana) as home and the monastery (khanaqah) as temple — two spaces in the antinomian ghazal tradition — are united here as the speaker's coordinates. The rend (libertine of the tavern) inhabits both. 'Without bowing my head in shame' is the moral center of the song: not shameless, but shame-free, which are different things. The speaker has nothing the world calls wealth and nothing it would call dignity — and asks for no sympathy in return.
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