ای رشک گل‌ها

Aye Rashke Gulha

O Envy of Flowers

Ahmad ZahirThe MastersStudio · Dari

Lyrics

Lyrics updated · July 2026

English Translation

O envy of flowers — you deceived me Alas and woe — you deceived me

For ages I have wanted a single kiss from those lips With today and tomorrow — you deceived me

I said I would take your name no longer You put my heart at ease — you deceived me

You said I was head over heels in love with you I saw it completely — you deceived me

Transliteration

Ay rashke gulha, dadi ferebam Ay wah o ay wah, dadi ferebam

Omrest khwaham yak bosa ze-aan lab Imroz o farda, dadi ferebam

Goftam ke namat degar nagiram Kardi dil asah, dadi ferebam

Gofti ba ishqat, be pah o sar man Didam sarapaa, dadi ferebam

متن اصلی

ای رشک گلها، دادی فريبم ای وای و ای وا، دادی فريبم

عمريست خواهم يک بوسه زان لب امروز و فردا، دادی فريبم

گفتم که نامت ديگر نگيرم کردی دل آسا، دادی فريبم

گفتی به عشقت، بی پا و سر من ديدم سراپا، دادی فريبم

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O envy of flowers — you deceived me; for ages I wanted a single kiss and you deceived me with today and tomorrow; I resolved to take your name no more, you put my heart at ease — and deceived me again.

About This Recording

Aye Rashke Gulha — O Envy of Flowers — is a song of systematic deception in which each stanza ends with the same verdict: 'you deceived me' (farib dadam). The phrase accumulates across the poem, arriving three times with the same flat finality. The first time it carries shock; by the third time it carries something closer to recognition — the pattern has revealed itself.

The 'envy of flowers' (rashke gulha) is a compliment that positions the beloved above the garden's beauty — not a flower but what flowers would envy if they could feel envy. This extravagant opening, which establishes the beloved's extraordinary beauty, makes the deception that follows all the more operative: the more beautiful the source of the betrayal, the more total the betrayal.

The most psychologically precise couplet: 'I said I would take your name no longer / You put my heart at ease — you deceived me.' The speaker had resolved to withdraw; the beloved's reassurance convinced them to stay. The reassurance itself was the deception. The most damaging deceits are not the ones that overcome resistance but the ones that dissolve it — that make the retreat unnecessary, right before proving it essential.

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