عشق تو بر من
Eshqe Tu Bar Man
“Your Love Upon Me”
Lyrics
Lyrics updated · July 2026English Translation
The light of my eyes — without you I cannot Even for one night be alone with myself and live Your love upon me carries many torments But union with you — carries many secrets
Do not be angry with me, O calm of my heart Come back tonight quickly — do not make me suffer You are my hope, you are my shelter You are the glory of love — the tales of mine
Transliteration
Roshani chashmam, be tu natwanam Yak shabe ba khod, bodan o zistan Ishq eh tu bar man, zajer ah daara Wasel eh tu amah, raaz ah daara
Man na betwanam, gerya sar dadam Dar rah eh wasel-et, chashm barah bodam
Qahr makun bar man, aye dil aramam Zood baz imshab, tu maranjanam Tu omid-eh man tu panha eh man Tu shokohe ishq, qesa haye man
متن اصلی
روشنی چشمم، بی تو نتوانم یک شبی با خود، بودن و زیستن عشق تو بر من، زجر ها دارد وصل تو و اما، راز ها دارد
من نه بتوانم، گریه سر دادم در ره وصلت چشم براه بودم
قهر مکن بر من، ای دل آرامم زود باز امشب، تو مرنجانم تو امید من، تو پناه من تو شکوه عشق، قصه هایی من
Without you I cannot for even one night be alone and live — your love carries many torments but union with you carries many secrets; you are my hope, shelter, glory of love.
About This Recording
Eshqe Tu Bar Man — Your Love Upon Me — opens with a statement of existential dependency: without the beloved, even solitude becomes unlivable. 'I cannot / Even for one night be alone with myself and live' — the self without the beloved is insufficient company. The speaker cannot sustain themselves through their own presence; the beloved's absence makes even the self unbearable.
'Your love upon me carries many torments / But union with you — carries many secrets' — the paradox is precise. Love as suffered (dured, borne, carried) is torment; love as union is mystery. The speaker accepts the torment because the secrets of union cannot be accessed any other way. The price of the secret is the suffering.
'You are my hope, you are my shelter / You are the glory of love — the tales of mine' — the final lines stack the beloved's attributes in ascending order: hope (امید, the forward-looking); shelter (پناه, the protective); glory of love (شکوه عشق); and then the speaker's own stories. 'The tales of mine' — the beloved is the narrator's subject, the content of all the speaker's stories. Without the beloved there is nothing to tell.
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