بیاید بیاید که گلزار
Beyayed Beyayed Ke Gulzar
“Come Come for the Rose Garden”
Lyrics
Lyrics updated · July 2026English Translation
Come, come — for the garden has bloomed Come, come — for the sweetheart has arrived
Laugh at the ugly one who shows coquetry Weep for that beloved who has cut from the beloved
Let all the city be in tumult when the cry goes out That the madman has once more been freed from his chain
Hush, hush — do not reveal, do not reveal Do not eat unripe grapes and spread it — the grape has ripened
Transliteration
Beyayed beyayed ke gulzar damidast Beyayed beyayed ke dildar rasidast
Baran zesht bekhandid ke o naaz nemayad Baran yar begeryed ke az yar boridast
Hama shahr beshored cho awaza dar oftad Ke dewana degar baz ze zanjeer ramidast
Chi roz-ast o chi roze-st chonin roze qeyamat Magar namaye ahmal ze afaq paridast
Khamosh bash khamosh bash maken faash maken faash Makhor ghora o mafshaa ke angoor rasidast
متن اصلی
بياييد بياييد که گلزار دميده ست بياييد بياييد که دلدار رسيده ست
بران زشت بخنديد که او ناز نمايد بران يار بگرييد که از يار بريده ست
همه شهر بشوريد چو آوازه در افتاد که ديوانه دگر بار ز زنجير رهيده ست
چه روزست و چه روزست چنين روز قيامت مگر نامه ی اعمال ز آفاق پريده ست
خمش باش خمش باش مکن فاش مکن فاش مخور غوره و مفشاء که انگور رسيده ست
Come — the garden has bloomed and the sweetheart has arrived; the madman has been freed from his chain; hush — the grape has ripened, do not eat it unripe and spread rumor.
About This Recording
Beyayed Beyayed Ke Gulzar opens as a double announcement: the garden has bloomed and the sweetheart has arrived. These are the same announcement, since the beloved's arrival IS the garden's blooming — the spring and the beloved are identical causes of the same effect. The invitation 'come, come' (beyayed, beyayed) is urgent precisely because both conditions are simultaneously met.
The middle stanzas introduce two contrasts: the ugly coquette (worthy only of laughter) versus the beloved cut from the beloved (worthy of tears), and then the madman freed from his chain. The madman (divana) freed from his chain is a figure of love allowed its natural expression — the city goes into tumult because something wild has been released into the social order. The tumult is not fear but celebration.
The final couplet introduces a note of discretion: 'Hush — do not reveal. Do not eat unripe grapes and spread it — the grape has ripened.' The ripened grape is readiness, and the instruction is not to share what is ready before the right moment. The metaphor of ripeness — something that requires patience to achieve and care to recognize — is one of the quiet pleasures of the ghazal tradition. The song ends not in arrival but in guidance about how to receive arrival properly.
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