Bada Ha Khalist

The Wind Is Empty

Ahmad ZahirThe MastersStudio · Dari

Lyrics

Lyrics updated · July 2026

English Translation

The wine cups are empty, empty — where is the goblet and the flask? The tavern door is shut — where is the beautiful cupbearer?

I who have lost my way in the desert of madness — O sages Where is the calm road of the world's felicities?

The stars are sleeping side by side in the heavens Where, in the end, have those winks and those flickerings gone?

Transliteration

Bada ha khalist, khali, saghar o mina kojast? Darb maikhana ast basta, saqie zeba kojast?

Man ke rah gom kardaye dashte jononam, aqelan Rahe arame sahadat hay ein dunya kojast?

Akhtaran pahloye ham dar asomanha khofta and Akher an chashmak zadanha o tapidanha kojast?

متن اصلی

باده ها خاليست، خالی، ساغر و مينا کجاست؟ درب ميخانه است بسته ، ساقی زيبا کجاست؟

من که ره گم کردۀ دشت جنونم، عاقلان راه آرام سعادت های اين دنيا کجاست؟

اختران پهلوی هم در آسمانها خفته اند آخر آن چشمک زدن ها و تپيدن ها کجاست؟

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The wine cups are empty, the tavern door is shut — where is the cupbearer? The stars are sleeping side by side while the speaker, lost in the desert of madness, asks where the calm road has gone.

About This Recording

'The wine cups are empty, empty — where is the goblet and the flask? / The tavern door is shut — where is the beautiful cupbearer?' — the poem opens on a tavern that should be operating but is not. The cups are empty, the door is shut, the cupbearer absent. Everything required for the gathering is missing; even the instruments of consolation have failed to arrive.

'I who have lost my way in the desert of madness — O sages / Where is the calm road of the world's felicities?' — the 'sages' (aqilan) are addressed as those who might know the calm road, but the question has no expectation of an answer. The sages are invoked as a contrast class — those who have stayed on the calm road — by someone who has entirely lost it.

'The stars are sleeping side by side in the heavens / Where, in the end, have those winks and those flickerings gone?' — the final image is the sharpest in the poem. The stars, which in Persian poetry are often associated with watchfulness or the beloved's eyes, are sleeping. The characteristic winks (charagh-zadan, flickering) that might signal or guide are gone. The world has gone dark and inward while the speaker remains awake and lost.

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